Theater of War Gouache on Paper 9 by 12 inches 2006
Masked Suffering Colored Pencil on Paper 9 1/2 by 11 inches 2006
Stately Fellows My Final MFA Show
Saturday, March 25, 2006
general peering into an abyss from the installation "stately fellows" 2006 ink and colored pencil on business stationary.
Sunday, March 12, 2006
ink and gouache on rice paper. 2006. 24x36 inches?
Monday, February 06, 2006
CV Ami Tallman Born 1979 California
Education Art Center College of Design Master of Fine Arts, April 2006
New School for Social Research, Graduate Faculty of Political and Social Science Graduate Philosophy Department. No Degree, 1999-2000
The San Francisco Art Institute Bachelor of Fine Arts, May 1999
Exhibitions
2008 Against the Grain,Los Angeles Contemporary Exhibitions (12 June-10 August), curated by Christopher Russell When the sun shines, it does not need proof(solo),See LineGallery, Santa Monica (21 June- 26 July) Free Love Gods, Pulliam Deffenbaugh Gallery, Portland (date unknown) 2007 Compound Objects from the Spy who Loves You, The Confederacy of Creative Ephemera at Circus Gallery, Los Angeles Don’t Torture the Rotten Ducklings, Institute of Visual Arts, University of Wisconsin, Milwaukee Le Flaneur, Fette’s Gallery, Los Angeles No Jerks, Rental Gallery, New York Timeline, Seeline Gallery, Santa Monica Juvenilia, Koo's Art Center, Long Beach Rainbow Goblins, Advocate Gallery, Los Angeles Memoriam for our Gentle Friends, Trudi Gallery, Los Angeles Paper Bombs, Jack Hanley Gallery, Los Angeles re draw, Brooklyn Fireproof, Brooklyn, New York
2006 Braveland, See Line Gallery, Los Angeles Naïve Set Theory, Cirrus Gallery, Los Angeles Chainletter, High Energy Constructs, Los Angeles Stately Fellows, MFA Thesis Show, Art Center College of Design, Pasadena, Ca Boat Show, High Energy Constructs, Los Angeles Supersonic 3, Barnsdall Art Park, Los Angeles
2005 Urban Birds II, Hang, San Francisco Bedwetter Show, Paxico Gallery, Los Angeles Conquest, Art Center College of Design, Pasadena, Ca
2004 Dark Side of the Sun Wight Gallery, University of California Los Angeles, Los Angeles, California Power via rodents and celebrity jewel theives, Art Center College of Design, Pasadena, Ca Pulp: Works of Paper, Worth Ryder Gallery, University of California, Berkeley Urban Birds, Balazo Gallery, San Francisco Battlefield, Art Center College of Design, Pasadena, Ca
1998 17 artists, 35 works, 500 guests, 976 Valencia, San Francisco, Ca
Bibliography
2008 Art Ltd, “Young at Art, 15 under 35,” profile, May 2008, Shana Nys Dambrot
2007 Artweek, “Braveland,” review March 2007, Shana Nys Dambrot Artweek, “Naïve Set Theory,” review February 2007, Charlene Roth
2006 ArtUs, “Boat Show,” review, Issue 14, July-September 2006, Christopher Russell I Heart Darkness, interview, 2nd Cannons Publications, Natascha Snellman
2004 Mission Arts Monthly, “Urban Birds at Balazo Gallery,” review, September 2004, Leena Prasad ArtWeek, "Urban Birds", Volume 35, Issue 8, Alison Bing
Publications 2007 There Weren't Many Girls Around, So We Dated Ideologies. This Left Us Always on the Brink of War. We Often Discussed That a Likely Result of Battle Would Have Been More Girls to Go Around Amongst the Survivors, but We Quibbled Rather Than Acted, & Slept Alone in Our Cold Beds Dreaming of Glory.Artist's Book, 2nd Cannons Publications
2005 After Such an Outburst of Emotion as is Represented by these Landscape, er, Renderings, We May Find it Necessary to Avoid all Future Contact with You (for the sake of some semblance of dignity) Artist's Publication with Christopher Russell
Portfolio #3, Analogue Press
2004 Bedwetter Magazine, Issues 7 through11
2001 Flash Art Magazine, The NY Decency Panel, Volume 34, Issue 218 Flash Art Magazine, Aperto San Francisco, Volume 34, Issue 217 Flash Art Magazine, Ultrabaroque, Volume 34, Issue 215
Monday, September 19, 2005
This was another of the men in think tanks, also ink on tissue, 2005.
These guys were something of a challenge to document. They were backlit when installed, because they were mounted on a window.
Wednesday, June 15, 2005
From the series Portrait of the Demographic Most Likely to be in Power 2005 ink on tissue From the series Portrait of the Demographic Most Likely to be in Power 2005 ink on tissue From the series Portrait of the Demographic Most Likely to be in Power 2005 ink on tissue
2005 ink on paper 2005 ink on paper 2005 ink on paper
2005 ink on paper 2005 ink on paper "Polo Player of the Apocalypse no. 1" 2005 ink on paper "Polo Player of the Apocalypse no. 2" 2005 ink on paper
Wednesday, April 06, 2005
capacity to act, ink on paper, 2005
Monday, April 04, 2005
2005: hybrid animals from medieval sources seal fieldmouse rhino bat
conquest show, ink on paper, 2005
shrubbery series, ink on paper, 2004
Saturday, April 02, 2005
conquest show--fall 2005
All Images 9x12 inches, ink on paper Copyright 2005 Ami Tallman
Sunday, February 06, 2005
mountain. ink on canvas. 18 x 24 inches. 2005
mountain range, ink on paper, 9 x 12 inches. 2005
expedition. ink on paper. 9 x 12 inches. 2005
mountains with helicopters. ink on rice paper. 8 inches by 4.5 feet? 2005
skunk. ink and goauche on paper. 9 x 12 inches. 2005
Saturday, October 09, 2004
Forest Scene from Very close up. Marker on Paper. 2004
Sedges from within. Marker on Paper. 2004
Lake Defying Edge. Colored Pencil on Paper. 2004
Topheavy Landscape. Colored Pencil and Highlighter on Paper. 2004
Tuesday, June 15, 2004
precarious rodent ink on paper 2004 dandy enough ink on paper 2004 dreadful yelping ink on paper 2004 a mother contemplates her eggs ink on paper 2004